Two signals. One you hear, one you don't. The patterns between them are the score.
The first long-form Ghost Score record. Seven tracks folded into one arc — ridge-light, reflection, kaleidoscope, ember.
The ridge at the moment the sun crosses it — first signal before the album lands.
Four tracks of the system forming before it had a name.
The project of Alan Molina, a classical violinist based in Wellington. The name comes from the idea of a ghost score — the inaudible control layer that shapes what an audience actually hears. Two signals: one you hear, one you don't. The patterns between them are the score.
Releases self-issued and on independent labels. Live shows TBA.